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The Ghost Deco
$30,000
Sold
A long while ago
I received a request to build a special instrument
for exhibiting at a prestigious museum. I was given
a green light to build anything I wanted. I decided
to build a Nightingale and to appoint it with the
options and features that I believe define the
Nightingale in its highest form. It was to be, in
art lingo, a “statement”. This guitar is now
available for purchase and immediate delivery.
For the tonewood I
chose a rare set of Brazilian Rosewood that exhibits
a quality I have come to call “ghosting” or subtle,
luminous flames across the sides and somewhat on the
back. The first time I used this wonderful wood, I
took to calling that guitar “The Ghost” [link here
to the original Ghost page] because of this
phenomenon in the wood. The name stuck and that
first guitar came to be known as “The Ghost”. For
the soundboard on that first Ghost I used a very
rare redwood top that we called Moonglow redwood.
For the story behind this exquisite Redwood, please
click here.
The combination
of these lovely and rare woods was so compelling in
sound and beauty that several folks were very keen
on having an instrument just like “The Ghost”. I had
just a handful of the ultra-rare Moonglow Redwood
soundboards that I used on the original Ghost and
these tops went into those few guitars. And I had
just a couple of these Moonglows set aside for any
special projects that would surface.
This guitar is such
a project. It is very like the Ghost in most of its
appointments except the fretboard and rosette
inlays. These I changed in deference to the original
Ghost, to keep that other instrument unique. The
inlays I chose for this instrument are from a theme
we call the Art Deco vine. We took parts of this
original Deco Vine and arranged them down the
fretboard at the traditional fret positions. And we
also took the same elements and arranged them around
the extra-wide rosette. And then, in a last
flourish, we arranged them in a new pattern on the
headstock and bridge wings. These inlays are made
from solid Blue Paua abalone, Red abalone and
mother-of-pearl.
The appointments of this “Ghost Deco” include:
The Ergonomic Bevel
and the Bevel Acoustic Flutes.
Ebony binding and Bevel
Standard nut width (1.75”)
The Ryan fingerstyle scale (25.7”)
Titanium bridge pins; proprietary low-mass,
low-profile design
Ox bone nut and saddle
EO bracing
A4 kerfing liner
Blue Paua/Mother-of-Pearl MicroPearl on the
headstock and fretboard
Ebony headstock plate and ducktail
Blue paua logo
Signature Series truss rod cover with Blue Paua
purfling and Deco Corona with MicroPearl
Black chrome 510 machine heads with ebonoid buttons
Integrated ebony fretboard binding
String spacing at nut; graduated incremental
increase toward the bass
Diamond Gloss finish (UV cure)
Signature Series fretboard termination
Ebony bridge, standard pinned
Deluxe Calton Case; custom Ryan shell with embossed
“R” logo
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